A: Absolute realism. He loathed theatrical Hollywood “cop talk” and demanded that actors use authentic radio codes like “Code 2” or “Section 502” so the show felt exactly like a real police station transcript.
A: Absolute realism. He loathed theatrical Hollywood “cop talk” and demanded that actors use authentic radio codes like “Code 2” or “Section 502” so the show felt exactly like a real police station transcript.